he finished playing and silence took over.

THE SITUATION – In Washington , DC , at a Metro Station, on a cold
January morning in 2007, this man with a violin played six Bach pieces
for about 45 minutes.

During that time, approximately 2,000 people went
through the station, most of them on their way to work.

After about 3
minutes, a middle-aged man noticed that there was a musician playing.
He slowed his pace and stopped for a few seconds, and then he hurried
on to meet his schedule.

About 4 minutes later: The violinist received
his first dollar. A woman threw money in the hat and, without stopping,
continued to walk.

At 6 minutes: A young man leaned against the wall to
listen to him, then looked at his watch and started to walk again. At
10 minutes:
A 3-year old boy stopped, but his mother tugged him along hurriedly.
The kid stopped to look at the violinist again, but the mother pushed
hard and the child continued to walk, turning his head the whole time.
This action was repeated by several other children, but every parent –
without exception – forced their children to move on quickly.

At 45 minutes: The musician played continuously. Only 6 people stopped
and listened for a short while. About 20 gave money but continued to
walk at their normal pace. The man collected a total of $32.

After 1 hour:
He finished playing and silence took over. No one noticed and no one
applauded. There was no recognition at all.

No one knew this, but the
violinist was Joshua Bell, one of the greatest musicians in the world.
He played one of the most intricate pieces ever written, with a violin
worth $3.5 million dollars.

Two days before, Joshua Bell sold-out a
theater in Boston where the seats averaged $100 each to sit and listen
to him play the same music.

This is a true story. Joshua Bell, playing
incognito in the D.C. Metro Station, was organized by the Washington
Post as part of a social experiment about perception, taste and
people's priorities.

This experiment raised several questions:

  1. In a
    common-place environment, at an inappropriate hour, do we perceive
  2. If so, do we stop to appreciate it?
  3. Do we recognize talent in
    an unexpected context?

One possible conclusion reached from this
experiment could be this: If we do not have a moment to stop and listen
to one of the best musicians in the world, playing some of the finest
music ever written, with one of the most beautiful instruments ever
made . . . How many other things are we missing as we rush through

by Bill McGee and found on Facebook c/o Upton Wood.
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